The environmental emergency shouts the need to be listened to with the strength of the music of a young artist, Cecilia Rossi, aka Lecícia smiles. Between climatic crisis, borders and oppressions “Article 110, 1 ° what.” It is a musical act of resistance, awareness and struggle for environmental safeguard
Art and music as an environmental alarm
We live an era in which the time to act thinks, the glaciers melt, the borders close, the inequalities are amplified. Faced with this global emergency, Lecícia smiles – Pseudonym and anagram of Cecilia Rossi – does not remain silent: he responds with a long playing that is a political declaration, a sound act of rebellion, an existential manifesto.
“Art. 110, 1 ° what.” It is not just a debut album: it is a clear, urgent and without compromised position. The Bolognese singer -songwriter, with a background that intertwines law, music and activism, gives us six tracks that sound like a collective cry. Between electronics, poetry, sharp beats and militant lyrics, Lecicia tells a world that disintegrates, but also the possibility of reconstructing it.
His ambition is clear: to transform art into a real tool of change, into a political language capable of opening gates, generating comparison, moving the horizon: an invitation not to turn to the other side, to really feel what happens. And, perhaps, to do something. Even just listen. Because resisting is possible. And yes, sometimes you can also dance above.
Glaciers that melt, hearts that break themselves
Among the main themes of the EP, theenvironmental emergency It is a constant presence, both in sounds and in words. The track “Glacier” It is the symbolic heart: a piece born as a song of love and transformed into a raw reflection on the fragility of our planet.
The ice melts and the sound landscape becomes desolate and pulsating. In a world where global warming has already exceeded 1.1 ° C compared to the pre -industrial era (data IPCC), climate change is no longer just a conference theme: it is daily, emotional, personal experience.
Boundaries, migrations and the need for another narrative
In “Sorri not sorry”, The surname Anagramto becomes political slogan. The song deals with the theme of forced migration, the boundaries that rise and the toxic rhetoric that feeds fears and divisions. According to the UN, over 110 million people were forced to leave their home in 2023.
Leccia points the finger at the distorted narrative of the media, but does not stop at the complaint: imagine a world where borders crumble and solidarity becomes a structure, not an exception. An invitation to collective responsibility, in which music becomes a vehicle for radical but concrete visions.
Transfeminism, body and word as an act of resistance
And then there is the transfeminism, one of the strongest souls of “Art. 110, 1 ° what.”. Gender violence, systemic oppressions, the right to identity and self -determination emerge in the texts with a straightforward, but never rhetorical force.
Each verse is political awareness. Lecicia transforms pain into resistance, vulnerability into poetic weapon. In Italy, in 2023, over 120 feminicides counted and in the world a woman out of three suffered violence (data OMS): figures that become rhythm and voice, denunciation and appeal.
A record that was born like a choral work
The disc is not born alone: it is a choral work, as the title already suggests, “Art. 110, 1 ° what.”In fact, it is inspired by the article of the criminal code on the competition of people in the crime, and rereads it in an artistic key: music as a collective action, sound as a subversive act.
Alongside Lecicia, the manufacturer Otus_medi signed the sound direction of the project, building a musical environment that ranges from pop, techno, ambient, industrial and experimental electronic. The graphics of the EP, born from the collaboration between Claudiano.jpeg and Ananpoptosis, add a further level of reading, visual and symbolic.
